![]() ![]() You will improve, you will be recognized, and work will come your way. It’s okay, just stay with the process and be patient. Similar to how I produced a lot of junk early on, you’ll write a lot of garbage too, especially if you’re just getting started. I won’t need to tell you to practice – you’ll just go and practicing anyway, and nobody will be able to stop you. Likewise, if you truly have the desire to do something, you will just do it. I didn’t do this because anyone told me to – I did it because I was compelled to! I wrote a lot of unusable junk! But at least I was teaching myself how to rhyme, structure a song, create flow, and put my thoughts down on paper. High and High School filling binders with countless pages of lyrics. I remember spending lunch hours, breaks, and even class time (not recommended) in Jr. ![]() Anybody who’s good at what they do had to put in some serious hours to get to where they’re at. If you’re planning to make a living ghostwriting, you’re probably going to have to know how to write in a variety of styles – simple and complex – and be able to adapt based on what works for the artist and audience.īottom line – you need to put in your time. So, when you’re writing songs, it isn’t just about clever metaphors and a play on words. The point is that someone still had to write it! And to write it, they had to know what the artist was about, what audience they were speaking to, and what content would resonate with them. Sure, there isn’t much to a song like Rihanna’s “ROCKSTAR 101” (I’m not much of a fan myself). Songwriting isn’t always as easy as it appears. Demos are incredible marketing tools, so you should be building your cache consistently. But if this is the case, you will likely need to collaborate with other musicians and/or composers to produce your demos. That's how connections are created.Īnother reason you might consider this profession is if you love music, and you enjoy writing, but you can’t sing or play an instrument. You can get more work by supplying your existing clients with great work and building your profile. But that doesn’t mean you can’t build your reputation as someone industry people can trust to write great lyrics. But some flexibility is usually par for the course, and so long as you don’t abuse it, you’ll learn to love it.Īs for not receiving credit for your work, true, your name may not appear in the liner notes of any albums, even those that hit it big. Don’t take this to mean you won’t need to set up a home office or that you’ll always be able to do what you want to do when you want to do it. ![]() If you have a laptop and an internet connection, you can do your work from just about anywhere. It is possible to make some serous coin if you’ve got the right contacts.įor another, ghostwriting can be a very flexible job. Writing has been a huge part of how I’ve earned a living in the last six or seven years. I’ve done quite a bit of ghostwriting and freelance writing myself, some in the music industry, some not. Well, you may be surprised to find that ghostwriting work can be quite rewarding and satisfying in a lot of ways.įor one, ghostwriting can pay well. At times, you may need to revise work you’ve already spent hours developing, or even rebuild it from the ground up if it’s not up to their standards. After all, you’re basically writing for others and not getting any credit for your best work.Īnd when I say best work, I mean it! As a ghostwriter, your responsibility will be to provide a product that meets the client’s expectations, and sometimes this can be a serious challenge. It may seem like a strange thing to want to become a ghostwriter.
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